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Ballet Luminary Matthew Ball on Grueling Roles and Social Media Attention: 'I Don't Feel Protective About My Body'

In the hushed ambiance of a lounge near London's Royal Ballet, Matthew Ball requests a mint tea. His carriage is naturally upright, his arms defined beneath a simple white T-shirt. On stage, dancers can seem like mighty deities, yet often offstage they are small. Not so Ball, whose tall stature is part of his demand for princely roles and partnering. With delicate traits and piercing eyes, there's a hint of Robert Pattinson about him.

A Seamless Rise to the Top

Now 31, Ball is enjoying the peak of a career that has advanced seamlessly. Raised in Liverpool, he faced minimal ridicule for his childhood passion in ballet. Entering the Royal Ballet School at 11, he moved straight into the troupe and was advanced each year, attaining the top rank of principal in 2018. He has loved taking on meaty characters, particularly the emotional angst found in a famed choreographer's works.

"Your breath is short, your legs get heavy, but it’s really a mental fatigue."

Ball's upcoming featured appearance is in a talk, in an "Evening With" series aiming to offer behind-the-scenes insights into a performer's craft. He will walk the audience through a part, showing his mental process while execution. Even in lighter works, the test is profound. "A classic ballet is one of the most demanding from a skill perspective," he states.

The Mental Struggle and After the Show Emotions

What about following a performance, when he has pulled it off? "It's pretty good," he says. "But because I'm trying to squeeze all the juice out of it, and get immersed in the character, frequently I do feel embarrassed afterwards. Following an intense role I'm always thinking: God, what must people think?"

Offstage, Ball is thoughtful, mild-mannered, and prone to laugh at himself. But a dance maker once observed on a "sense of suffering in him." Is there? "I am very active in general, but I do have a melancholy streak," he reveals. "I kind of enjoy negativity sometimes. I've always felt that negativity has been an instigator for good change."

Formative Drivers and Creative Inspirations

Ball's tenacity originated in early experiences. Not excelling in contests at school made him "vengeful!" This became fuel to prove he could succeed. Discovering the book *Mao's Last Dancer* was a "pivotal" moment. "It flipped a switch, it made me go a bit obsessive," he remembers.

The next challenge is creating his own dance works. In his view, "organic movement has value." "Challenging the rules is interesting, but just pretending that they’re not a thing any more – I don’t know how far you can go with that." He wants his work to be filled with substance, drawing inspiration from books, music, and painting.

Close-Up Dance and Private Dynamic

He additionally is interested in presenting dance in smaller venues. "It was just really thrilling," he says of a previous experience. "You’re so near to the viewers. I felt as if they were realizing: 'That’s a person, and they’re sweating.'"

Ball has created duets with his partner, fellow lead dancer Mayara Magri. The degree of trust between them is evident. "We tried it out on the beach first," he says of a daring lift. "It resembled Dirty Dancing." The couple aren’t usually paired on stage at their main theater, which might be beneficial. "We’re both quite strong-willed people, so it’s not always hunky dory," he admits. "Yet I feel like we’re each other’s biggest supporter."

Regarding Instagram and Bodily Perception

On Instagram, fans can see clips from his projects and photos that highlight a sculpted physique. Does he care that the engagement can be somewhat focused on appearance? Not really. "The body is just what we use, so I don’t feel very protective about it," he states. He compares it to seeing Michelangelo’s David—something that can be seen on multiple ways.

Ball characterizes his early self as "desperate for success." Did it lived up to his hopes? "I am conscious of how reality is a different thing to the dreams you had as a young person," he muses. He likely has another ten years of performing ahead. "I suppose in the future, I want to be a bit more gentle with myself."

By

Regina Moore

A passionate software engineer with expertise in full-stack development and a love for sharing knowledge through writing.

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